导演：Radványi Géza
主演：Artúr Somlay Miklós Gábor Zsuzsa Bánki
状态：HD中字
剧情：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
8.0HD罗伯特·约翰·伯克 马里奥·马卡多 里米·瑞安 乔迪·朗 约翰·波西 雷普·汤恩 岩松信 约翰·卡索 S.D. Nemeth Edith Ivey Curtis Taylor 希·庞德 贾德森·沃恩 吉尔·亨内斯 斯坦利·安德森 泛消费公司已完全掌控了底特律市之后，与日本金光财团合作组建OCP，在底特律开发三角洲城，并招揽雇佣兵组成暴力改建队，驱逐居民，相当数量的拆迁地居民为捍卫家园组成武装力量反抗财阀的不义计划，女童妮科（R
HD关智斌 李曼筠 徐汶萱 张钧涵 及莉 姜梦茹 刘静怡 苏悦华 乌雅心颜 正是军阀混战时期，飞烟（李曼筠 饰）、江桓（关智斌 饰）、陈少锦（张钧涵 饰）、含玉（及莉 饰）、野妹（徐汶萱 饰）等五个青年男女辗转来到荒凉破败、阴森寥落的巫镇。城中死气沉沉，全无半点生机。这一行人
6.0HD中字柯克·道格拉斯 珍妮·克雷恩 琳达·达内尔 安·萨森 保罗·道格拉斯 芭芭拉·劳伦斯 杰弗瑞·林恩 霍巴特·卡瓦诺 洛拉（琳达·达内尔 Linda Darnell 饰）同老板波特（保罗·道格拉斯 Paul Douglas 饰）结了婚，婚后，洛拉才发现波特对自己的海誓山盟全是谎言，他不过将自己当做了摇钱树。瑞塔（
HD加布里埃尔·费泽蒂 奥内拉·穆蒂 埃莉奥诺拉·吉奥尔吉 尼内托·达沃利 瓦伦蒂娜·格特斯 Jeanne Martinovic 雷娜塔·扎明戈 卡拉·曼奇尼 Two teenage friends conspire to find out how much their youthful sensuality can disrupt one of their
7.0HD阿米达普·巴强 埃朗·哈斯米 Krystle D'Souza 雷亚·查克雷伯蒂 An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's
HD中字Bruto Castellani Ettore Mazzanti Gastone Monaldi Fernanda Negri Pouget Orlando Ricci 拉美西斯大帝旗下的一个士兵，把卡默斯的爹娘赶出了他们的家园。卡默斯决定对这个不公平的事件展开抗争。於是他出发前往埃及的首都底比斯，想到土地司去调查这件事情。然而进入土地司之前，必须先经历过一番锻鍊
HD中岛健人 松本穗香 永山绚斗 樱井由纪 柳俊太郎 若月佑美 要润 真岛秀和 及川光博 热卖超过 70 万本的爱情小说《我的樱花恋人》终于改编成电影版本！ 摄影学徒晴人与美咲相恋，无奈美咲患上不治之症，衰老速度比一般人快几十倍。这段稍纵即逝的珍贵爱情，就像樱花季节飘落满地的花瓣。美
高清CK比比 行客 王美丽 小麻雀 本片通过描写四位网络主播在直播间发生的感人故事和直播对于他们在现实生活中发生的改变，生动地呈现了在新时代下诞生的新行业网络主播身上的正能量和时代精神。通过主播美丽从一名小服务员变成大主播，积极生活勤奋努力的故事展现了主播对生活充满激情的精神面貌；通过户外爱好者行客的直播做公益的故事传达了正确的价值观、弘扬正能量；通过平凡姑娘比比和麻雀的故事展示了主播和粉丝、家人之间的亲情友情爱情的情感力量，表达了每一个平凡人都有梦想并且敢于实现自己梦想的生活态度！影片符合主旋律，弘扬正能量，通过直播更好的诠释了公益精神，
6.0HDAngeli Khang Ava Mendez Marco Gomez 热尔曼·德莱昂 Angelica Cervantes Quinn Carrillo Cecil Paz Max Durano Edwin Reyes Alecks Ambayec Macky Pateo Dixie Pelarios Andrew Alcantara Rommel Cruz Alvin Poblador When Eva, a young housemaid, gets involved in a steamy threesome with a houseboy and her lady boss,
HD张智霖 何润东 张达明 深夜，于大内皇宫之中皇帝被蒙面人所挟持，交出星邪剑谱。蒙面人使出灵犀一指，天下人皆认为是陆小凤（张智霖 饰）所为，剑谱也被送往西门吹雪（何润东 饰）的万梅山庄。次日全城开始通缉陆小凤，江湖中人也纷纷围
